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I Am Finally Living My Dream! (How I left the corporate world at age 44 to pursue a career as a musi




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Even in grade school, I knew I wanted to be a musicianfull

time, as my career. I firmly believed it was my "calling". Early

on, I determined that in my case, as a musician, there could be

three sources of revenue: live music performances, record sales,

and songwriting royalties. It took many years, but finally it

has happened as I envisioned it as a young boy. As I near the

age of 50, I can say I am living my dream as a

musicianperforming, recording, and songwriting!



This wasn't by any means a direct route. I forgot about

following the yellow brick road.



Along the way, I have taken a few side roadsnewspaper delivery,

landscaping, outdoor maintenance for a school district,

restaurant busboy, boxing and stocking groceries, bartender and

tavern manager, lumber yard and hardware sales, real estate

sales, selling entertainment discount books door to door (and

successfully, I might add!), doing voiceovers for commercials,

acting as an "extra" for films and television, concessionaire at

sporting events, umpire for youth athletic games, painting

houses and remodeling buildings, apartment manager, music

librarian. and the "big three" long term: 1. 16 years as an

executive with ASCAP (American Society of Composers, Authors,

and Publishers) and SESAC where I received an incredible

up-close view of the songwriting and legal side of the music

business. 2. Five years as an employee and store manager for a

six-store chain of record stores, learning just how many

thousands of recording artists there actually are and getting to

attend an unlimited number of free concerts. 3. Four years as a

traffic, news, and sports reporter for over 50 radio and

television stations. This reporting experience was invaluable.

Besides all the behind the microphone experience, I saw the

competitiveness, professionalism, (usually) low paying,

corporately controlled world of broadcasting - firsthand. The

highlight was flying daily in Cessna planes and helicopters,

providing traffic reports for stations in the San Francisco Bay

Area.



Wow! Thats quite an assortment of jobs. Talk about a diverse

view of the world.



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Butall that time, I saw it only as a means to an end. My real

goal was to play, record, and compose music, FULL TIME. It was

just so hard to do on an ongoing basis and still pay the bills.

I would get gigs from time to time that would last anywhere from

one night to three months. I never played "Top 40" radio hits,

but insisted on playing what I believed was music with integrity

or at least music close to my heart. While I wanted to perform

mostly my own compositions, I was willing to also play songs by

my musical heroes. You know, those singer-songwriter types that

were not always household names: John Prine, Bob Dylan, Gram

Parsons, Jerry Garcia, and of course the Beatles and James

Taylor.



But whether I played as a soloist or in groups, sustained income

just wasnt there. Finally as I neared age 30, the thought of a

steady paycheck became too good to pass up. I took a job as a

Field Representative for ASCAP. It required my selling

copyrighted music licenses to all types of businesses who

provided music for their customers. I spent the next 16 years

never having to worry much about money. I also enjoyed the

varied experience, the travel, and the solid education in

learning about that part of the music business that so

interested me - it was a valuable chapter in my life. But

although the financial worries were gone, I spent so much of

that time unhappy! I knew I had to get back to the artistic

pursuit of my music.



By 1996, I was on my last legs as a music business executive.

I'd lost the fire and couldn't let go of the urge to follow my

dream. Finally in late 1996, I left my position as Vice

President of SESAC to get back to being a musician. The 15 - 20

hours a week I spent as a traffic and news reporter bridged the

financial gap.



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In the meantime, I began rounding up gigs, hustling, and

learning all the new songs on the piano that I possibly could. I

knew I was getting about a 20-year late start compared to all

the hot young players out there. But I figured I could make up

for at least some of that through sheer hard work and

determination. Because of my previous work experience, I was

comfortable telephoning and meeting with people of all levels of

business. I began working with hotel, restaurant and country

club managers, wedding planners, and any venue that might be

open to having piano music.



Systematically going through the yellow pages, I would keep

meticulous notes about which businesses had a piano, who I'd

spoken with and when to follow-up. Soon enough I was performing

regularly - an average of three times per weekand earning

decent money. Often I would find performing opportunities in

unexpected places: libraries, museums, senior citizen

facilities, and lots of corporate parties. Eventually, I was

fortunate to land a four day a week steady job playing piano at

a couple of Nordstrom storeslow paying, but great exposure and

experience. I was on my way!



Now with two CDs available on Brainstorm Records, MY independent

record label, the dream is being realized...the dream is being

lived! The CD sales combined with my constant gigging six or

more times per week nearly equal the income I earned during my

peak years as a music executive. Meanwhile, I am putting a new

emphasis on generating songwriting royalty revenue, with a

three-year plan underway designed to round out that third source

of income I have planned on since grade school.



It hasn't been easy...but it has been worth it in every way! My

little musical empire, now five years old, has seen steadily

increasing in revenues each year. I have felt surges of joy and

the ultimate in frustration. I am always eager for new

challengesand sometimes ready to quit. But, awhile back I came

across a sentence that sums it all up perfectly. The statement

comes from John Madden, the highly successful former football

coach of the Oakland Raiders (who has become an even more

successful football broadcaster). He was talking about the

insecure, volatile occupation of being a National Football

League Coach, a profession where one can almost guarantee they

will be fired - often more than once. In determining whether or

not someone is suited for that difficult profession, Madden

said: "You shouldn't be doing it unless you can't live without

it.



I would say the same applies to one's pursuit of music, or

whatever their particular dream may be. If you can't live

without it you simply have no choice but to pursue it.



For me, pursuing my dream was the best and most rewarding thing

I have ever done.



If you've got a dream, I say, LIVE IT!!



About the author:

Jim Hudak is a pianist, singer, guitarist, and songwriter who

lives in the San Francisco Bay Area. His latest CD, Gratefully

Yours, is currently receiving international acclaim. For more

information, you can contact Jim through his website,

www.jhudak.com, or by phoning Brainstorm Records at (925)

673-7293.



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